I also write for Swarajya Magazine and their publishing partner Creative India. These articles, while still on historical lines are more geared towards religion , culture , architecture etc.
Through these, I try to bring to light the religious and cultural revolution brought about by our ancestors as also the various common threads that bind one region of this country to another.
Please visit following links for my Swarjya Mag articles.
“The reign of Ahilyabai Holkar was the final triumph of the Maratha empire over the Mughal.”
Architects of many victories, the new rulers not only pulled out Orissa and Jagannath Puri from the cruel jaws of demolition and destruction, they infused religious and cultural vigour into the vibrant temple life.
A variety of plants such as the kuhum (safflower), palash (flame of forest), indigo and Indian madder were used to produce specific colours. There are 175 dye yielding plants found in Assamese literature. Flowers, leaves, bark extracts, plant based products, lac, shells, lamp black, gold, and insects were used for making the dyes. Lac colours are more popular in eastern Assam.
The great Assamese general knew his terrain, the brave river, the Mughals, and his battles well. Aneesh Gokhale follows his hero, this time, on foot in Guwahati, and returns drenched in history.
He was aware that power in Maharashtra meant control of his strongholds. The visionary knew the science of building, using, protecting and empowering them to be victorious, says Aneesh Gokhale.
The years between 1670 and 1672 are perhaps the turning point in India’s history. Chhatrapati Shivaji began a grand counter offensive against the Mughals that saw more than a dozen forts retaken through tact and bravery, followed by lightning raids into Baglan, Khandesh and Surat. He topped it with a total rout of the Mughal army of 40,000, and more, on the open fields near Salher. A naval attack on Jinjira was carried out, another threatened on Bharuch. All of this happened within two years.